A 2nd album of inexplicable and fascinating genre merging based around Americana roots music sliced and diced with jazz/improv, electronica, and Downtown NY forms, from the core trio of Sam Day Harmet (mandolin), Sana Nagano (violin), and Zachary Swanson (upright bass) with guests Susan Alcorn on pedal steel guitar, avant bluegrass guitarist Stash Wyslouch and Soundpainter Walter Thompson.

The opening and closing tracks from the new Blazing/Freezing album on a 7" single by the genre-merging Downtown NY trio of Sam Day Harmet (mandolin), Sana Nagano (violin) and Zachary Swanson (upright bass) deconstructing Americana roots music by slicing and dicing it with jazz/improv, electronica, sample sources, and inexplicable errata.

Having previously released outdoor live performances integrating the sounds of NY into their expansive improvisations, the Playfield octet led by Daniel Carter with Ayumi Ishito (Sax), Eric Plaks (Piano & Rhodes), Aron Namenwirth (Guitar), Yutaka Takahashi (Guitar), Luisa Muhr (voice), Zachary Swanson (Bass) and Jon Panikkar (Drums) step inside to record three far-reaching and inclusive studio improvisations.

The debut of Trio Xolo, bringing together Mexican-American bassist Zachary Swanson, inventive Lithuanian ex-pat & long-time New York drummer/percussionist Dalius Naujokaitis and lyrical Baltimore saxophonist Derrick Michaels, three players steeped in both tradition and avant free playing, captured live in-studio for an album of perceptive creative jazz.

A wonderfully warm and innately lyrical free jazz quintet that grew organically from weekly jam sessions in Harlem starting in 2019, comprised of tenor saxophonist Ayumi Ishito, pianist Eric Plaks, bassist Zach Swanson, and drummer Jon Panikkar, and later, multi-instrumentalist Daniel Carter, Ishito the driving force in the project and this beautiful recording.

The third of a 3-album trilogy, Playfield offers the musical equivalency of a walk through the diversity of New York in a loft-style extended improvisation from the octet of Daniel Carter on horns, reeds, Luisa Muhr on voice, Ayumi Ishito on saxophone, Eric Plaks on Nord piano, Aron Namenwirth and Yutaka Takahashi on guitar, Zach Swanson on bass, and Jon Panikkar on drums.

Astroturf Noise is Sam Day Harmet on mandolin, Sana Nagano on violin, Zach Swanson on bass, Billy Martin on percussion, and Sarah Bernstein on violin, living at the intersection of American folk & roots music and free improvisation, using effects and sonic additions in an unusual mix that the quintet makes completely natural and all their own.

Astroturf Noise is Sam Day Harmet on mandolin, Sana Nagano on violin, Zach Swanson on bass, Billy Martin on percussion, and Sarah Bernstein on violin, living at the intersection of American folk & roots music and free improvisation, using effects and sonic additions in an unusual mix that the quintet makes completely natural and all their own.

A live performance at Forward Festival 2016, in Brooklyn, NY, merging chamber music, free improvisation, free and avant jazz and other forms in a an ensemble with Daniel Carter (sax & trumpet), Claire de Brunner (bassoon), Patrick Holmes (clarinet), Nick Lyons (sax), Jeff Snyder (electronics), Stelios Mihas (guitar), Jonah Rosenberg (piano), Zach Swanson (bass), and Federico Ughi (drums).

New York drummer Federico Ughi in a band with long time collaborator David Schnug on sax, Mike Irwin on trumpet, and Jeff Snyder on electronics, more of a creative jazz album than electric, with Leila Adu on vocals and Zach Swanson on bass on 2 tracks each; informed, intelligent and lyrical free improvisation from a tight-knit group of superb players.